SMALL FACES
The BBC Sessions (Fuel 2000)
Reviewed by Bill
Holmes
I wish Steve Marriott and Ronnie Lane were alive to see the adulation that is
coming their way. Although the Small Faces were a brilliant burst of light in
the English pop scene, their legacy has been about financial misfortune almost
as much as cultural contribution. Hopefully documents like this one will set
people straight.
The first three tracks feature original organist Jimmy Winston, and although Ian
McLagan would soon anchor the band's sound with his Hammond mastery, "Watcha
Gonna Do About It" (a live favorite for Marriott throughout his career) and the
Who-like "Jump Back" are as good as anything the band ever recorded. "Sha La La
La Lee" rocks, and "You'd Better Believe It" is a great soul ballad that gives
Mac a chance to shine. Marriott was an incredible vocalist; he rips through "One
Night Stand", while on "You Need Loving" one can hear the style (and even the
famous phrase) that Robert Plant would emulate years later. "E Too D" is a
psychedelic precursor of Marriot's own epic blues rants with Humble Pie.
But even bands with strong songwriters had to live on covers as well in the
Sixties. Here "Shake", "Baby Don't You Do It" and even Tim Hardin's "If I Were A
Carpenter" get soulful workouts. But the meat of the package can be found in two
Marriott/Lane numbers, "Hey Girl" and the electric "All Or Nothing", the latter
nothing less than one of the best songs of the decade. In a lighter moment, an
alternate version of "Lazy Sunday" finds the band less campy and using animal
noises and sound effects to enhance the mood of the song (Marriott reportedly
hated the album version of the track which he sang way over the top as a lark,
not knowing his scratch vocal would be used on the finished product!)
The liner notes are thin, but the booklet does contain some nice period photos
along with the song annotation. There are five tracks listed as "rare
interviews" which turn out only to be one minute radio excerpts. While they are
nothing earth-shattering, they do convey a band brimming with youthful
exuberance and unlimited ambition. And rightly so. An excellent, necessary
record.
© 2000 - Bill Holmes