A PERFECT CIRCLE
Mer De Noms (Virgin)
Reviewed by Christophe
Chuvan
This band seems to have sprung out of nowhere and into the spotlight. The fact
that it is presented as a side-project of Maynard J. Keenan (Tool), has probably
helped giving them a lot of exposure. However, one would be wrong to dismiss
this band as just an after-thought by Keenan, to fill up his time while Tool is
on hiatus. As he ackowledges himself, he's only the singer here. This band is
primarily about one man, Billy Howerdel, and his songs.
Some people seem eager to label A Perfect Circle as a "Tool-lite" offering.
Again, while they're not totally wrong in seeing similarities between the two,
this is taking the wrong approach. Apart from Maynard's voice, this record does
share with Tool's material an affinity for multi-layered sonic landscapes and
intricate, hypnotic, almost repetitive grooves and percussive patterns.
However, once one drills a bit further, the individuality of Howerdel's writing
becomes more obvious. The sound of the record walks a thin line between
contemporary, mainstream heavy rock ("The Hollow", "Thomas" ) and light sonic
experimentation, along with neat exotic touches (the oriental scales on
"Renholder"). The songs altern between heavy, gloomy rockers ("Judith") and
dreamy balladry ("Orestes", "3 Libras"). That dichotomy is also evident
lyrically, with the slower, acoustic numbers being usually lighter-mooded than
the heavy, dark rockers. Nonetheless, while a melancholic romanticism permeates
the entire record, optimism is not out of the question and a few rays of light
sometimes shine through the clouds, which is something one would be hard pressed
to find on a Tool album.
While not a great album, this is an impressive debut. Billy Howerdel has
assembled a cohesive collection of songs painting a wide canvas of influences
without getting lost into mimickry. The band sounds tight, the sound is modern,
agressive and the material has depth. Assuming that Maynard can keep juggling
duties effectively between his "other" band, the next one should be a classic.
© 2000 - Christophe Chuvan