FREDDIE HUBBARD
Ready For Freddie (Blue Note)
Reviewed by Ron Saranich

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Recorded in 1961 (not 1962 as the back of the cd states) and released this year with bonus tracks and remastered sound, Ready For Freddie is one of Hubbard's best efforts ever. Joined by an all star band of Wayne Shorter tenor sax, McCoy Tyner piano, Bernard McKinney euphonium, Art Davis bass, and Elvin Jones drums, the music provides constant delight. Hubbard's trumpet playing is magnificent as he solos with bravura and passion; at this point in his career, Hubbard's playing often possessed a breathtaking beauty that is definitely on display here.

During this time period, Hubbard declared that he was pursuing a "Coltrane-like" direction. Hence the use of Tyner, Davis and Jones who had all played for various lengths of time with John Coltrane. Add in Shorter, who produced a sound similar to Coltrane's tenor playing, and the stage was set for Hubbard's realization of his vision. Hubbard with "Arietis" and Shorter with "Marie Antoinette" each contributed a wonderfully crafted song that should have become a jazz standard. Perhaps some contemporary jazz artist will discover these eloquent tunes and cover them on their next release.

Ready For Freddie is superb jazz performed by a group that works well as a complete unit. The writing is thoughtful and inventive, the playing enthusiastic and passionate. That's a wonderful combination which results in a highly satisfying session. Recommended without hesitation.

© 2004 - Ron Saranich