CHARLES BROWN
In A Grand Style (Bullseye)
Reviewed by Shaun Dale

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If the phrase "legendary bluesman" sounds a bit cliched to you, I'll beg your pardon for invoking it one more time, because if it fits anyone, it fits Charles Brown. During a career that extended for over half a century, Brown established himself as one of the premier blues pianists, playing in settings ranging from Johnny Moore's Three Blazers to Bonnie Raitt's touring band and recording some of the most memorable sides in blues history.

While his mellow, sophisticated style fell out of favor for a time, as the blues scene became dominated by the tougher sound of electric guitar slingers and shouters, he came back time and time again. When Raitt championed his last revival, he recorded several notable albums for Bullseye, but this one somehow remained in the can. Amazingly, it was the first album Brown ever cut that featured just his piano and voice. It proves to be an ideal setting. While his piano virtuosity reveals his classical training, his playing is unflinchingly soulful, and his voice is perfectly suited to the solo environment.

While there are many Charles Brown albums available, including some excellent sets that document his early career, this one is a wonderful introduction for the uninitiated, and an essential addition to the collections of his many fans. Kudos to Bullseye for getting this unique and exquisite collection on the market. Kudos to you for getting it on your shelves.

Track List: One Never Knows, Does One? * Stand By You * Black Night * You Gave Me Everything But Love * Give Me A Woman * Hard Times * Charles' Chopin Lizt * Sorry Baby * Stumbled And Fell In Love * Wouldn't It Be Grand

© 1999 - Shaun Dale