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JEDI MIND TRICKS
Violent by Design (Superegular Recordings/Landspeed)
Reviewed by Jason
Thornberry
I was enjoying this, the second album by Jedi
Mind Tricks, until I reached "The Deer Hunter" and
heard yet more of the tedious homophobia that is
still, sadly, floating in the waters of B-Boy
culture. Like an uncle who uses the 'N word' in
late-night family deliberations, and cups his
hand over his mouth, as though he's passing along
some legless secret, an intense (suspicious at
times) apprehension towards homosexuals still
exists in hip-hop, and I'm frankly sick of it.
It's totally irrelevant as to whether I'm gay or
straight. As a human-being I'm mortified every
time I hear some stupid shit, like
"That's unnatural, like love between
faggots." (That's a line from a rap song
who's name eludes me presently.) What decade is
this? Apparently bigotry is okay. When it isn't
practiced on you.
Having said that, in all other respects, Violent by Design is a very rewarding
listening experience.
From the sample of some silly wrestler prophesying that "the next
sacrificial lamb will be lead to slaughter" to Gene Hackman thanking the
band for their hard work and belief in themselves as true combatants of the M-I-
C, Violent by Design does what commercial rappers are too busy making themselves
palatable to the masses of asses to do: makes sounds like these. There they all
are, hard at work making their (c)rap songs into
dance moves that'll get their pathetic butts on
Beach-House MTV, so they can have Carson Daley
tell them how great they are (like they really
care what he thinks). Commercial hip-hop is like
any style of music that gets diluted for larger
appeal. The lyrics suddenly become butter soft,
and free from any messages, other than for you to
"get jiggy with it". If the
emcee isn't camera-friendly, like LL or Will
Smith (formerly the Fresh Prince, even though he
was wack back then too), you at least need an
interesting angle that can get worked into
oblivion (see Eminem. Even though the notion of a
white guy on the microphone is elderly now).
Canibus griped that LL Fool J showed off his body
because he didn't have any skills. I have no clue
as to what Icon, Jus Allah, or Stoupe look like,
but they rock the spot harder than Will or LL
ever did. I remember hearing LL Cool J rhyme
about shooting someone in their
"muthafuckin' face" on Bigger
and Deffer, back in 1988, and I thought that was
ahead of its time. Little did I realize that
Straight Outta Compton was hot on the heels of
B.A.D. LL brought out Walking With a Panther in
'90', but, unfortunately, the brute spared his
life.
This CD is the successor to the Psycho-Social,
Chemical, Biological, and Electro-Magnetic
Manipulation of Human Consciousness debut, and
rhymes like "I spit the acetate to make
your lips evaporate" or "Be the
next member in the cast of my snuff
flick" will make everyone who initially
thought the Jedi's rocked the mic like Steve
Urkle pause and take notice. These guys are
arguably Illadelphia's finest. They just need to
give homosexuals a break. Unless by rapping about
how awful "fags" are takes peoples' thoughts away
from the possibilities of the lyricists being
gay...
GRADE: C+
© 2002 - Jason Thornberry
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