EUGENE MASLOV
The Fuse Is Lit (Mack Avenue Records)
Reviewed by Ron Saranich

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The Fuse Is Lit is a solid jazz album, recorded in 2002, from Maslov, a Russian born pianist now living in the U.S. Featuring six originals and three standards, Maslov displays a deftness of touch, abundant technique, and tasteful improvisational skills. Five of the songs are by Maslov's trio, which includes Boris Kazlov on bass and either Vinnie Colaiuta or Joe LaBarbera on drums. One song adds Hubert Laws on flute. Another two feature the trio, plus Laws on flute and Pete Christlieb on tenor saxophone. The final number is strictly a piano solo.

Maslov's piano playing avoids easy choices and grandstanding. As a result, this recording is quite absorbing. One can hear hints of a Chick Corea influence in Maslov's approach. Of the nine numbers, it is the three standards - "Django," "The Masquerade Is Over," and "One For My Baby (And One For The Road)" where Maslov and his band mates shine. As a result, these are my favorite numbers. Maslov's originals tend more towards the funky side.

As Maslov gets his base order jazz needs met and moves up the Maslovian triangle towards self-actualization, I'm sure there is other eloquent and admirable music ahead for him. For now, The Fuse Is Lit is good jazz. Give it a listen.

© 2003 - Ron Saranich