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LUDICHRIST
Powertrip (Combat/Relativity)
Reviewed by Jason
Thornberry
The late 80's was a great time for speed-metal/thrash. It gave Metallica
their first taste of success (back when they still had long hair, zits, and
torn levis). It also, if only for a short while, belched forth the likes of
Slayer, Megadeth, Anthrax, Dark Angel, Possessed (who's guitarist eventually
joined Primus), Testament, Forbidden, Vio-lence, Nuclear Assault, and Exodus
(whose drummer also played with White Zombie). These bands sold a few
records, toured everywhere, banged their heads a lot (only faster because of
the frenetic tempo), and dissolved. A few, like Metallica, are still around,
but tried in vain to stay musically with the times. One band, Scatterbrain,
were all over the funky-white-guy-who-can-kinda-rap vibe that the Red Hot
Chili Peppers made fashionable for about ten minutes. Prior to writing songs
like "Don't Call Me Dude", 3/5 of Scatterbrain were in an
obscure-even-by-the-thrash's-standards band Ludichrist. They were more or
less infamous for blinding tempos, expert musicianship, jazz moments, and
Tommy Christ's witty lyrics, as evidenced on their most well known song
"Most People Are Dicks". This album, their second and last, hallmarks the
even more twisty-turny chord progressions, humorous lyric subjects: "without
Rock & Roll there was no more: premarital sex, crimes or drugs, fighting or
foul language", and the stereotypical polka-style drum tempo that typifies
the whole era, in which Slayer proudly said "Praise hail Satan!".
Ludichrist's songs are typically more political, possibly because they had
New York Hardcore origins, and at least one guy who ended up in NYHC band
Leeway, before he was unfortunately stabbed to death. This record was just
as good in it's re-issued format (the spine reads "Re-masters of Metal")
than I remembered it when I had the original on vinyl.
© 2000 - Jason Thornberry
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