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DEE DEE BRIDGEWATER
Live At Yoshi's (Verve)
Reviewed by Shaun
Dale
Dee Dee Bridgewater's performance on this disc is alternatingly joyful,
sultry, hilarious, romantic and invariably artistically impeccable. Most
of the material is drawn from her 1998 tribute album to Ella
Fitzgerald, and there is no one with a stronger claim to the Fitzgerald
legacy than Dee Dee Bridgewater. She goes places, though, that it's
hard to imagine Ella entering. How about a brief and very funny take on
James Brown's "Sex Machine"? Well, if you can't imagine Ella doing
that one, Dee Dee does, and provides her own impression of the
experience. She devotes a good deal of time to having fun with her
audience, and to poking fun at herself, which paints a more complete
picture of her performance than the music alone could provide.
The music is, of course, superb. The interplay between Dee Dee's vocal
instrument and her backing trio (Theirry Eliez, piano/organ; Thomas
Bramerie, bass; Ali Jackson, drums) is wonderfully balanced, giving each
musician a chance to display great solo chops as well as strong ensemble
work. It's Dee Dee's show first and foremost, though, and what a show she
provides. Her voice is round and rich for the ballads, and when she
breaks loose she demonstrates her preeminence among her contemporaries
as a practitioner of that most challenging vocal jazz style, scat. Her
abilities as a scat singer alone give her a leg up in the race for Ella
Fitzgerald's mantle.
There's absolutely nothing not to like here, and a great deal to love.
It's simply the best jazz vocal album I've heard this year.
Track List:
Undecided * Slow Boat To China * Stairway To The Stars *
What A Little Moonlight Can Do * Sex Machine * Midnight Sun * Cherokee *
Love For Sale * Cotton Tail
© 2000 - Shaun Dale
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