HARUNA ISHOLA
Apala Messenger (Indigedisc)
Reviewed by Shaun Dale
My knowledge of traditional African music is fairly shallow, even though I
have a passing familiarity with several flavors of Afro-pop. That is likely
to become less and less true, though, if future installments in the new
Indigedisc series from Label M are as generally intriguing and excellent as
this one.
Apala is a style favored by Nigeria's Yoruba people, featuring call and
response style vocals over a network of percussion. One of the foremost
practitioners of the style was Haruna Ishola, who is still revered in his
homeland two decades after his death. This disc is a compilation of tracks
recorded for Decca and his own STAR label between 1967 and 1971. The music
is truly timeless, though, and, to my western ears, absorbingly hypnotic.
The pieces are primarily praise songs, composed to honor the artist's
patrons and performed by an ensemble of singers and drummers under the
guidance of Ishola. The resulting blend of voice and percussion could be
quite complex, utilizing over a dozen members to create a sound that has
been described as "organic trance music." Indeed, these sounds would be
ideal fair for the cool out room at your favorite rave venue, and are likely
to be sampled in short order by perceptive DJs. Don't wait for the
dilution, though. This is the real deal, straight up, and as valuable
musically as it is educationally.
Track List:
Late Matthew Toye * Oma Tito Ni Koko * Kise Tenu * Soyoyo Sisi Awelorum *
Kafowo Komo Niwe * Ewure Ile Komonlyi * Erin Onihun Se Nile * Late
Owo-Ni-Fari * Kosi Ninu Eiye * Ganiyu Ajimobi * Abanije Koni Gboyi * Ladi
Iwalewa *
Egbe Ghobaniyi (Odogbolu)/Oluwa Sore Owa Re Fun Wa/Sokoyodoto Maturi Bgorin
Didun De/Late Alhaja Muniratu Atopo/Majidi Ejo(Alyepe)/Awa Kani Bawan Gbodie
To Fawa Ra'Wo
© 2001 - Shaun Dale