LESTER YOUNG
With The Oscar Peterson Trio (Verve)
Reviewed by Ron
Saranich
Lester Young is one of the three most influential and important tenor
saxophone players of the 20th century, along with Coleman Hawkins and
John Coltrane. At a time when Hawkins' hugh, masculine tone was all the
rage among tenor players, Lester developed a completely different
approach to playing his instrument. His lighter sound seemingly floated
out of his sax, creating remarkable music that still sounds superb
today.
It is generally acknowledged that many of Lester's seminal recordings
occurred during the 1930s and 1940s. During the 1940s while serving in
the military, he experienced such terrible racism that it permanently
affect his mental state. Young would grapple with the demons in his
mind for the rest of his life.
However, it is a total myth that Young's best days were behind him since
some of his greatest playing happened in the 1950s. Recorded in 1952,
the sessions that comprise With The Oscar Peterson Trio found Young in
outstanding form and spirits, and his playing reflects it. Lester's
solos were coherent, powerful, deliberate, and haunting. They displayed
a great emotional depth rarely found in recorded jazz; the joys and
pains of Young's life were right there for the listener to hear. The
Oscar Peterson Trio back up Young perfectly. Simply put, this was and
always will be essential music. A must for every jazz collection.
Track List:
Ad Lib Blues; I Can't Get Started; Just You, Just Me; Almost Like Being
In Love; Tea For Two; There Will Never Be Another You; (Back Home Again
In) Indiana; On The Sunny Side Of The Street; Star Dust; I'm Confessin';
I Can't Give You Anything But Love; These Foolish Things; (It Takes) Two
To Tango; I Can't Get Started.
© 2000 - Ron Saranich