EIGHT QUESTIONS For RICK N. HARPER
Pete Townshend does it. So do John Fogerty and Lindsey Buckingham. Les
Paul
has been doing it since WWII, and McCartney is STILL doing it. And
nowadays,
with the advent of affordable home studio gear, it seems almost EVERYBODY’S
doing it. Or at least trying to.
Without doubt however, one of those most melodically versed in the delicate
art of not only Music making, but RECORD making, is Kentucky’s one and only
Rick Harper. Listening closely since the Sixties, writing and performing
since the Seventies (including stints with Billy Swan, a Kentucky Fried
jingle with Jerry Reed, and his very own Breathers band), Rick has spent the
last couple’a decades home-recording up an absolutely monstrous catalog of
hand-crafted gems, a few dozen of which are now proudly floating around
digital domains both far and wide, and to deservedly great acclaim too I’ll
have you know.
Rick gamely took time out from his next session to let US know…
1. "MUNSTERS" OR "ADDAMS FAMILY": WHICH ONE'S FOR YOU, AND WHY?
"Addams Family." Anything with John Astin (that his name)? is OK w/ me.
He should be given a grant and a small state someplace just for his role
in "Candy." Lurch was cool. Thing was pretty happenin'. Probably works
the adult stalls on Carnaby Street these days.
"The Munsters" was about as cerebral as "Car 54."
2. WHO IN THE WORLD, LIVING OR DEAD, WOULD YOU MOST LIKE TO PLAY A GAME OF
"TWISTER" WITH?
Jane Asher.
3. HOW MANY SID KING & THE FIVE STRINGS RECORDS DO YOU OWN?
'fraid I don't know who he is. Send me a tape?
Wait!
Wasn't he the editor of the old Avant Garde and Evergreen Review
magazines?
4. IF YOU HAD BEEN WORKING THE FRONT GATE AT THE DAKOTA THAT NIGHT BACK IN
1980 WHEN NASTY MARK DAVID CHAPMAN SHOWED UP, PISTOL IN HAND, TO AVENGE THE
CHIEF BEATLE FOR HIS "BIGGER THAN JESUS" WISECRACK, WHAT WOULD YOU HAVE
DONE?
If I'd known his intentions: Louisville Slugger baseball bat. Groin.
Bats are legal.
Even in New York, so I'm told.
5. "GINGER" OR "MARY-ANN": WHICH ONE'S FOR YOU, AND FOR HOW LONG?
Mary Ann. Absolutely. She seemed like she'd be a good mother. Ginger was
probably frigid, tho she put on a good, uh, front.
"How long" ? About 42 picas I've been told.
(Perhaps I don't understand the gist of the question?)
6. WHAT SINGLE SONG, LIVING OR DEAD, DO YOU MOST WISH YOU'D WRITTEN? AND
WHY
DIDN'T YOU?
"Eight Miles High."
Or "Let's Get Together," which The Byrds SHOULDA recorded...
7. WHOSE BASS HARMONICA WOULD YOU MOST LIKE TO BE REINCARNATED AS?
Tommy Morgan’s or Charlie McCoy’s.
There's a good, driving, bass harp on "I Will Not Be Afraid of Women" by Dar
Williams. Who was the guy in the Harmonicats?
Y'know, bass harps are all "blow" only ...no draw notes. Tough to play and
tough to maintain. I bought mine in '81 when they were relatively cheap
($250); now the
bastards (Hohners) are $1000! They use accordion reeds, y'know... I hear
there's decent Chinese ones around these days...
8. IN 2000 WORDS OR LESS: YOUR HOPES, ASPIRATIONS, AND GOALS -- MUSICAL AND
OTHERWISE -- FOR YOUR LIFE AND YOUR COUNTRY?
Aspirations? Goals? Gulp! Don't feel like trying to be clever,
though PAY THE FUCKING RENT ON TIME just sprang immediately to mind.
…And I am proud to be an American who does not watch television.
RICK HARPER: RickenHarper
Those not already happily familiar with the power-poppin’ pride of
Middletown, Kentucky have absolutely NO excuse now to plead ignorance: On
this one snappy, wonderfully packaged (not to mention long, long, long
overdue!) CD lie twenty-five examples of why Rick Harper just must be this
nation’s best-kept musical secret.
Compiling the best from his three prior "Demo Teaser" cassette samplers,
"RickenHarper" demonstrates not only what a fine songwriter/instrumentalist
the man is ("One Too Many Lies," "I Bring Her Down" and "Hey Now Baby" are
AT
LEAST the equal of any material currently being spewed from the New York or
Nashville hit factories), but just how well versed he is at the nearly-lost
art of
Home Recording as well (what this guy can do with a mere four tracks and a
single microphone is a wonder in of itself).
The absolute magnitude of musical riches present on this one single disc can
be a bit overwhelming at first - especially for those of us used to hearing
a
mere two or three winners per each new CD they grab - but "RickenHarper" is
the kind of big, expansive, multi-faceted collection you’ll be finding
plenty
to chew on over for months and, yes, years to come. In other words: a
keeper, a killer, an all-round CLASSIC …and that last word’s not one I’ve
had
cause to throw around much during the past decade or so, believe you me!
[HiVariety Recordings, 214 Bliss Avenue, Middletown, KY 40243]
Rknhrpr@aol.com
RICK HARPER: Hoot
Has anyone reading these words not already fallen head-over-ears in love
with
the musical magic of Kentucky’s veteran "pop spaceman"? Then here’s ANOTHER
chance: Eleven new tunes fresh from the home studios of Rick Harper that,
as
always, never fail to twist and turn that idiom often so carelessly referred
to as Rock into wickedly delightful, always dumbfounding new forms. And
unlike his previous disc - the long and more than colorful career
retrospective known as "RickenHarper" - this new hoot sheds hitherto
unimaginable clearview onto a couple’a Bert Jansch and even Byrds tunes
(Rick’s take on Gene Clark’s "So You Say You Lost Your Baby" in particular
rings nothing short of miraculous, while "Lover Of The Bayou" absolutely
wallows in the kind of swamp John Fogerty, for one, only seems prepared to
dip a well-placed toe into every now and then these days).
Still, the true, fine stars across this album are Rick’s own compositions:
"Light Of Love" is just about the most expertly constructed song the man has
yet to produce (WHAT a master of the mixing board Rick is!) and "On Sundays
I
Leave It Alone" deserves to spend the rest of its natural life presiding all
over "contemporary" Country radio.
About halfway through the proceedings, "Hoot" gets kinda lushly
tense - not to mention invitingly dark - with the "Salty Tears Can Sting" /
"Can’t Trust Nobody Blues" / "Bucket Fulla Brains" trilogy of happy,
harmonious horror. This kinda hurt-fest can get cloying when left in the
wrong hands, but Rick’s tongue’s forever deep in cheek, I’m pleased to
report, especially on the ratched, gut-buzzing "Bucket." Detour completed,
the truly remarkable "Sing" continues your ride (quintessential Harper!)
followed by one indisputable, drop-down MASTERPIECE entitled "Mantra" (a
ten-minute-plus left-base epic which brings to mind the other-worldly
songwriting of Beach Boy Carl during his "Holland" days …but even that sells
this monstrous creation quite short). Whew!
Gush all you care to, then, over comparative light-weights like the new
Wilco
or Lucinda: HERE, I guarantee to you, is the honest-to-gawd, not a single
note or word wasted or misplaced Real Thing …and here’s where to get it
Right
Now from:
[HiVariety Recordings, 214 Bliss Avenue, Middletown, KY 40243]
Rknhrpr@aol.com
(C) 1999 - Gary "Pig" Gold